Tag Archives: class

Stuart Franklin’s Political Ecology

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Photography: Stuart Franklin

The entry on our school calendar was unassuming and inconspicuous—”Franklin, Journalism.” The description in our student guidebook was even more humble, simply a thin line that read “Stuart Franklin, English photographer.” I glanced at it and the night before, on a lark, I decided to google the name to see Franklin’s previous work. Much to my shock, I soon realized that Franklin was a world-renowned Magnum photographer, the man who had taken the photo of Tank Man in Tiananmen Square. Yes, That photo.

On the appointed day, we eagerly gathered in class, where a bespectacled chap carried himself with distinction to the front of the classroom. “Dr. Stuart Franklin, Political Ecology,” read his first slide. The student next to me poked my shoulder—wasn’t this class supposed to be about journalism? What’s political ecology? Are we sure this Dr. Franklin is a photographer, and not someone else with the same name?

As it turned out, Franklin is a man of many talents, not only a career photographer for Time and National Geographic, but the recipient of a PhD in geography at Oxford University. He now publishes and teaches courses in political ecology and photography at Oxford.

The burning question: what is political ecology? As he defined it, it is the analysis of complex political economic relationships between society and land- or marine-based resources or products. It’s political economy + environment. It’s a network of cultural interactions with the land around them. Food chains and the working conditions of migrant workers are two topics that might fall into this lens of analysis.

Convinced? Skeptical that this is just another newfangled invention of concatenated existing subfields? Regardless, Franklin took us on a fascinating trip around the world, as we looked at slash-and-burn destruction in Indonesia and Afghans fighting in a bread queue, all photographed in pristine condition. The following are some of his thoughts on photography, politics, and the luckiest break of his career.

There was an uprising that spring. A lot of factors were in play, but it was mostly due to increasing flows of information and the large amount of corruption going on. Young people were finally getting annoyed by corruption by people in power, and so they came out to the streets. It was a huge moment for the Chinese to demonstrate, and I asked if I could go to Beijing. My plane ticket was paid for by Magnum, but when I got there, Time put me on assignment and I ended up just staying there.

The epicenter of the action was Tiananmen, and at that point, I had been working as a photojournalist for about 10 years, and I was a pretty hardened war photographer. I knew that I had to get close to Tiananmen, so I found the Beijing Hotel, and I parked myself there.
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Italian for People Who Can’t Legge Bene

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In the months between my acceptance and moving to Italy, I spent a good chunk of time learning Italian through as many venues as possible. I went through three levels of Rosetta Stone. I read Italian blogs and newspapers. I discovered some great Italian films (and some pretty terrible melodramatic, sad-violin ones). Then, I stepped onto my first train in Italy, promptly missed the transfer and ended up in Cuneo. It was about 8 pm on a Mon night, and the trains stop running shortly thereafter. Panicked, I tried to ask the guy across the aisle for help, but all the Italian I’d learned had flown out the window. Luckily, he knew enough English to tell me I had 5 minutes left to catch the last train of the night. Clearly, my Italian still had a ways to go.

For the most part though, I don’t need to know that much Italian for day to day living, other than talking to vendors. All coursework is in English, and Italian classes are not part of the Food Culture & Communications program at the University of Gastronomic Sciences. So, if you are serious about learning Italian, you’d better do it on your own. Alternatively, you can also make your way through a year in Italy by honing your skills at charades, but that is passing up a grand opportunity to learn one of the world’s most beautiful languages.

It is not well-publicized, but the city of Bra actually offers Italian classes for foreigners through the Informagiovani office. The website is not updated to have information on course offerings (of course), but according to this article, there are not only foreign language courses, but also classes on film and computers. You can also sign up for classes in other languages (French). But let’s stay focused. For a mere €12, I signed up for a year-long ISL (Italian as a Second Language) class. Or is that ITL for me?
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An Introduction to Wine Journalism

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Wine journalism. Is it a public service, or simply pretentious nonsense? What forms does it come in? Does anyone pay attention to this stuff anyway? Who is the target audience?

On this gray November day, we were greeted by the warm presence of Richard Baudains, a wine writer for Decanter who has also contributed to the Arcigolo Gambero Rosso guides Vini d’Italia (Wines of Italy) and Vini del Mondo (Wines of the World). He hails from the Channel Islands (an archipelago between England and France), but has spent the last two decades living and drinking in Italy.

There are many opinions on the role of wine journalism, and we examined a series of quotes from wine writers with varying interpretations of the role. There is the Elitist Expert, who wrote, “I’ve been tasting wines now for over forty years and I like to think that through my articles I can help my readers to appreciate the subtleties of one of the finer things in life.” There is the Public Defender, who said, “Do you know how many chemical additives are permitted in a wine by a European food regulation laws? And what about the illegal additives? Wine writers should be raising awareness of these issues.” There is the Writer of Convenience, who commented, “I used to be on the sports page, but I got fed up with all the travelling and staying up all night to file my copy for the morning editions. Wine is great. A very laid back scene and super hospitality.” And naturally, there is the Passionate Amateur, who enthuses, “I just adore wine, in all shapes and forms. I love tasting it and I love writing about it and I want to share my passion for it through my blog.” People write about wine to affirm their own prestige, to express joy, for money, for free, to spread knowledge, to omit it, and for all sorts of reasons in between.
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A Flight of Fancy: France’s Poulet de Bresse

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A month has passed since I was last in France (my how time flies!), but I’m still milking those experiences for class projects. Our trip to a Bresse chicken farm was particularly memorable, so I converted that into a magazine-style piece that I will submit for evaluation.

A Flight of Fancy: France’s Poulet de Bresse (727 kb)

Beer Tasting 101

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Hops flowers, a cornerstone ingredient for beer

“I have to start off with a joke, to properly set the tone for this class,” said Mirco Marconi, our lecturer for beer tasting. With a grin, he announced that he would be lecturing on the production process of beer, and that we would be tasting 9 beers today and another 10 beers tomorrow. We were advised to eat a hearty breakfast in the morning.

But wait, beer class in Italy? Isn’t this akin to learning about tamales in China? Before leaving the US, I was told by more than one Italian over a cold pint to enjoy the beer while it lasted, because Peroni leaves a lot to desire (though of course, the wine does not). Much to my surprise though, I have found the Italian beer scene to be vibrant and dynamic. At the Corte dei birrifici artigianali del Piemonte craft beer fair at the Torino Food Market Festival, a wide variety of brewers and brewing styles were showcased. Our trip last July to the Pausa brewery project in the Saluzzo jail included several memorably good beers. And, the New York Times even posted an article today on the development of craft brewing in Italy! I don’t think beer will “eclipse wine as the Roman drink of choice” any time soon, but it is definitely promising that Italy’s booze-making aficionados are finally setting their sights on the art of beer.
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Food in Pop Culture Through the Lens of Marshmallow Peeps

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“You might be too distracted to notice the first time through, but there is actually a lot of food imagery used in the Telephone music video.” And so, for the first time, I scrutinized a Lady Gaga video not for the outrageously skimpy outfits, but for the usage of food items. At the end of the ten minutes, our class was taken aback at the number of product placements in the film short. “It’s just a big ad for Virgin, Honey Buns and Polaroid, isn’t it?” The video makes frequent use of ersatz, convenience products like WonderBread and Miracle Whip. “Lady Gaga is well aware of her status as a highly commercial icon, and makes no pretense of acting otherwise. In a sense, she has tricked you into watching a 10-minute long ad masquerading as music video, one that you will now send to all your friends.” And what’s with the Diet Coke can hair rollers? In modern society, the panopticon of body image compels women to diet and lose weight, even without explicit pressure. She is trapped by both an interior and exterior prison.

Our professor was Fabio Parasecoli, from the department of nutrition, food studies and public health at NYU, and he deftly guided us through the semiotics of food symbolism and a post-structuralist analysis of consumer body image perceptions. Power relations are negotiated through the acceptance or refusal of food, and race and sex differences are mediated through cooking and eating food. Food embodies the person who prepared it, as seen in the rejection of the “AIDS Burger” in True Blood, and it can be used as cultural capital to differentiate yourself or elevate your social status. At the consumerist extreme, food is produced for a society of spectacle, with much of food programming on TV designed for people who will never pick up a knife or walk into a kitchen.
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